The Importance of Being Oscar - Finsbury Park

Park Thetre

The Importance of Being Oscar - Finsbury Park
Date
13/08/2026 - 22/08/2026
Time
15:00 - 19:30
Venue
Park Theatre
Clifton Terrace, Finsbury Park
N4 3JP
Area
Finsbury Park
Availability
Not available
Event Type
show

About This Event

Tickets :£15 - £52.50

By Micheál Mac Liammóir, Starring Alastair Whatley, Directed by Michael Fentiman.

“Life is far too important a thing ever to talk seriously about.”
“A beautiful production – intimate and utterly compelling” Gyles Brandreth

Oscar Wilde became an icon after his death.

But the life he lived was far more dramatic than anything he ever wrote.

This funny and fiercely moving show, features a tour de force central performance from Alastair Whatley, hailed as ★★★★★ “truly magnificent…phenomenal to watch” (Theatre and Tonic).

Oscar, his rise and fall, his glory and his devastation, is conjured back to life through his own words and those of his fiercest champion, the fabled Irish writer Micheál Mac Liammóir.

We meet the man who lived and loved without compromise, whilst creating some of the most famous – and famously funny – plays still adored by millions today.

Experience Oscar as you’ve never seen him before – real, raw, defiant.

This legendary play helped redefine our attitudes and appreciation of a man whose life became his work of art and is returning for a limited UK tour ahead of a London run.

Directed by Michael Fentiman (Amelie, Jekyll & Hyde, The Lion, The Witch and The Wardrobe) and produced by the Olivier nominated Original Theatre (Being Mr Wickham, The Interview, Birdsong).

Original Theatre & Reading Rep Theatre in association with Park Theatre.

About Organiser

Park Thetre logo

Park Thetre

Park Theatre was brought to life by Artistic Director Jez Bond and Creative Director Emeritus, Melli Marie, who – following a six year London-wide search for a building – discovered a vacant office block next to Finsbury Park station in 2010.

Park Theatre’s origin story…

Mrs Bond’s profession [or, what Park Theatre owes to my grandmother]

One of the truisms of fundraising is that it’s always hard to raise the first chunk of money, but much easier to raise the last. People are more willing to give you the final slice to take you across the finish line than the initial money to start something. Another truism is that it’s always easiest to start with people you know.

I remember when I first saw the building that is now Park Theatre. Walking through the entrance and seeing the stairs leading both upwards and downwards, I instantly had a powerful sense of stalls and circle waiting to be discovered. This and the shape of the building suggested a three-sided, two-levelled space giving the geometrical intimacy I always craved in live performance – the ability to wrap people around a stage in the most intimate way possible without their feeling lost in the darkness eight, nine, ten rows back. It also felt like a two-venue space, which we hadn’t really anticipated.

After years of searching, the stars were clearly aligning… But how could we raise the money to buy this space and transform it into a living, breathing theatre? Ladies and gentlemen, let me introduce JM Bond…

Some family history:

In the 1950s, my grandmother Moyra, a widow, had recently completed her teacher training. With an optimism reflecting the ‘Rebuild Britain’ spirit of the time, she took out a loan from the bank and purchased a faltering girls’ school in Liverpool. After much hard work and innovation, she successfully turned the school around. One of those innovations sprang from her realising that her students had no official preparation materials for their 11-Plus exams. She therefore devised lists of subject-based questions that she eventually wrote into booklets.

The school’s results reflected the wisdom of her strategy and in the early 1960s, someone convinced her to pitch the booklets to a publisher so that young people the country-wide could benefit. Another success! They were published under the genderless name “JM Bond, School Principal”, rather than “Jean Moyra Bond, Headmistress” for fear no-one would buy educational books from a woman.

In the 50 years that followed, the Bond Assessment Papers have been extended and rewritten and distributed all over the world. When she died in 2011 an article in The Times mentioned her alongside JK Rowling and Joanna Trollope for the sheer number of copies she sold.

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Ticket
£15.00
per ticket

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Age Restriction: All Ages

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