Holy Fool
Park Theatre


Holy Fool
Park Theatre
Date
27/09/2026 - 10/10/2026
Time
15:00 - 19:30
Venue
Park Theatre
Clifton Terrace, Finsbury Park
N4 3JP
Area
Finsbury Park
Availability
Available
Event Type
show
About This Event
By Rosalind Adler and Lea Sellers, Directed by Kate Fahy.
Evenings: 19.30pm
Thu & Sat: 15.00pm
Tickets~: £22.50 - £55
Genre: Drama
Age guidance: 12+
His music made him. It could destroy him.
At the height of Stalin’s regime, celebrated composer Dmitri Shostakovich walks a perilous tightrope. One wrong note could topple him; one perfectly judged crescendo might save his life. Under the constant threat of torture and death, he must appease a brutal despot – while quietly resisting him.
Outwardly compliant, inwardly defiant, Shostakovich composes in code: music that conceals as much as it reveals.
Holy Fool is a tense, darkly witty exploration of the absurdity of tyranny, the bravery of resistance and the triumph of the human spirit.
Presented by Park Theatre, Alexander “Sandy” Marshall & Wild Yak
Evenings: 19.30pm
Thu & Sat: 15.00pm
Tickets~: £22.50 - £55
Genre: Drama
Age guidance: 12+
His music made him. It could destroy him.
At the height of Stalin’s regime, celebrated composer Dmitri Shostakovich walks a perilous tightrope. One wrong note could topple him; one perfectly judged crescendo might save his life. Under the constant threat of torture and death, he must appease a brutal despot – while quietly resisting him.
Outwardly compliant, inwardly defiant, Shostakovich composes in code: music that conceals as much as it reveals.
Holy Fool is a tense, darkly witty exploration of the absurdity of tyranny, the bravery of resistance and the triumph of the human spirit.
Presented by Park Theatre, Alexander “Sandy” Marshall & Wild Yak
About Organiser

Park Theatre
Park Theatre was brought to life by Artistic Director Jez Bond and Creative Director Emeritus, Melli Marie, who – following a six year London-wide search for a building – discovered a vacant office block next to Finsbury Park station in 2010.
Park Theatre’s origin story…
Mrs Bond’s profession [or, what Park Theatre owes to my grandmother]
One of the truisms of fundraising is that it’s always hard to raise the first chunk of money, but much easier to raise the last. People are more willing to give you the final slice to take you across the finish line than the initial money to start something. Another truism is that it’s always easiest to start with people you know.
I remember when I first saw the building that is now Park Theatre. Walking through the entrance and seeing the stairs leading both upwards and downwards, I instantly had a powerful sense of stalls and circle waiting to be discovered. This and the shape of the building suggested a three-sided, two-levelled space giving the geometrical intimacy I always craved in live performance – the ability to wrap people around a stage in the most intimate way possible without their feeling lost in the darkness eight, nine, ten rows back. It also felt like a two-venue space, which we hadn’t really anticipated.
After years of searching, the stars were clearly aligning… But how could we raise the money to buy this space and transform it into a living, breathing theatre? Ladies and gentlemen, let me introduce JM Bond…
Some family history:
In the 1950s, my grandmother Moyra, a widow, had recently completed her teacher training. With an optimism reflecting the ‘Rebuild Britain’ spirit of the time, she took out a loan from the bank and purchased a faltering girls’ school in Liverpool. After much hard work and innovation, she successfully turned the school around. One of those innovations sprang from her realising that her students had no official preparation materials for their 11-Plus exams. She therefore devised lists of subject-based questions that she eventually wrote into booklets.
The school’s results reflected the wisdom of her strategy and in the early 1960s, someone convinced her to pitch the booklets to a publisher so that young people the country-wide could benefit. Another success! They were published under the genderless name “JM Bond, School Principal”, rather than “Jean Moyra Bond, Headmistress” for fear no-one would buy educational books from a woman.
In the 50 years that followed, the Bond Assessment Papers have been extended and rewritten and distributed all over the world. When she died in 2011 an article in The Times mentioned her alongside JK Rowling and Joanna Trollope for the sheer number of copies she sold.
Read More
Park Theatre’s origin story…
Mrs Bond’s profession [or, what Park Theatre owes to my grandmother]
One of the truisms of fundraising is that it’s always hard to raise the first chunk of money, but much easier to raise the last. People are more willing to give you the final slice to take you across the finish line than the initial money to start something. Another truism is that it’s always easiest to start with people you know.
I remember when I first saw the building that is now Park Theatre. Walking through the entrance and seeing the stairs leading both upwards and downwards, I instantly had a powerful sense of stalls and circle waiting to be discovered. This and the shape of the building suggested a three-sided, two-levelled space giving the geometrical intimacy I always craved in live performance – the ability to wrap people around a stage in the most intimate way possible without their feeling lost in the darkness eight, nine, ten rows back. It also felt like a two-venue space, which we hadn’t really anticipated.
After years of searching, the stars were clearly aligning… But how could we raise the money to buy this space and transform it into a living, breathing theatre? Ladies and gentlemen, let me introduce JM Bond…
Some family history:
In the 1950s, my grandmother Moyra, a widow, had recently completed her teacher training. With an optimism reflecting the ‘Rebuild Britain’ spirit of the time, she took out a loan from the bank and purchased a faltering girls’ school in Liverpool. After much hard work and innovation, she successfully turned the school around. One of those innovations sprang from her realising that her students had no official preparation materials for their 11-Plus exams. She therefore devised lists of subject-based questions that she eventually wrote into booklets.
The school’s results reflected the wisdom of her strategy and in the early 1960s, someone convinced her to pitch the booklets to a publisher so that young people the country-wide could benefit. Another success! They were published under the genderless name “JM Bond, School Principal”, rather than “Jean Moyra Bond, Headmistress” for fear no-one would buy educational books from a woman.
In the 50 years that followed, the Bond Assessment Papers have been extended and rewritten and distributed all over the world. When she died in 2011 an article in The Times mentioned her alongside JK Rowling and Joanna Trollope for the sheer number of copies she sold.
Read More
Ticket
£22.50
per ticket
Age Restriction: FAMILY